FOUR, by Kieron James
This is the second track I’ve put together for my debut album FOUR, which will be released on 1st July by Clear Notice. (This will leave six months to create the three sibling albums for Somió, Half-BIT and Blue Omen.)
Recap is a remix of Capitulation – the first piece of music I composed, at the time using the Jonathan Scary moniker. It has been mastered by Pure Tone, though we may tweak a little when I have all the other tracks for the album completed.
Recap by kieronjames
Edgard Varèse
So here it is. The fruits of around three weeks work and the first track for the album FOUR. The track has been beautifully mastered by @pure_tone whose attention to detail and ability to make stuff sparkle is second to none.
My plan at this stage is to complete FOUR before moving on to the other three albums, two of which are collaborative. I’ll be posting four bars of some of the individual channels here too – to see which inspires the collaborators and me to write for Blue Omen, Half-BIT and Sómio.
“Organised Sound” is a phrase coined by the stratospheric colossus of sound, Edgard Varèse. I was switched on to Varèse’s life and work by Chris Randall’s Analog Industries blog. From time to time he produces limited run, sound-themed tee shirts. I missed his Delia Derbyshire edition (sold out), but managed to get hold of one of the fabulous Varèse shirts designed by Stefan Goodchild.
And that’s the story behind the first track for FOUR.
Organised Sound by kieronjames
New year, new goals.
I posted a few days ago about my plan to release four albums this year and this week I started on the first track (not necessarily in terms of running order) for Four, which will be released under my own name. As mentioned in the last post, the other three will be produced under the Somió, Half-BIT and Blue Omen projects / collaborations.
So, here are twenty bars laying out some of the ideas I’ve been exploring for Four Track #1 (as yet untitled).
Once the track is complete, I’ll also post four bar samples of each of the stem files and select one sound for each of the “sibling” tracks on the other three albums.
Update: 22/01/2010
Hard to believe I spent three to four hours getting the sound on these four words and I’ve still not mixed or EQ’d the vocal track! Anyway, @groovecriminals was curious about what had taken me so long and whilst I’m sure it’ll be a disappointment, may as well put that work into the context of the piece:
Organised Sound (work in progress) by kieronjames
Update: 21/01/2010
Got a little more time on this. Have some doubts, but I’ll sit on it for a day and see what I think tomorrow / Saturday.
Four Track One (work in progress) by kieronjames
Update: 17/01/2010
Uploading the second update via Soundcloud as I’ve no FTP access today. May continue to do this as it makes it easier to annotate files. Might even consider upgrading to a paid Soundcloud account. Anyway, not had much time for this as I’ve been working on a track for Gavin Fisher (aka @bootslam. Added a bit of guitar (new melody) and some effects using PSP Nitro.
First Upload: 07/01/2010
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So apparently it’s Black Friday in the US. Not really sure whether there’s any significance beyond a general sale, but the good news is I managed to pick up a copy of Native Instruments’ Reaktor 5 for €99. Quite a bargain.
I didn’t really know what it was, though I’ve heard @ambienteer and @fjfonseca refer to it a good deal on Twitter. So I thought I’d satisfy my curiosity whilst the price was low.
Much to @dustmotes‘ doubtless incredulity, I have managed to hook it up to Cubase (without any sticky-backed plastic) and here’s my first upload. I’ve been messing around with the drum sequencer “Massive”, using some of the on board samples. To this I’ve added some Audio Damage Automaton FX and a quick and dirty bass line using Rob Papen’s SubBoomBass.
I can see that this is going to be fun 
Update 7: 03/01/2010
Here’s one that somehow never really gelled, but I’ve been so backwards and forwards with it that I’ve run out of steam.
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Update 6: 22/12/2009
I’ve been really on and off with this track for way too long. I’m at the point where I might just ditch it. I’m uploading 48 bars and as you can see, I’ve been pulled in lots of different directions with it. In truth, it’s all over the place. I’m not sure I can salvage anything, so I might bin it (or park it at least) and start with something new.
But I think I’m done for 2009. Time for a break and return in the New Year with a fresh direction.
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Update 5: 10/12/2009
A glitch too far? Very probably. Still screwing around with this to see what falls out. Creating some wah wah effects from Monday’s brass stabs. Still some bits I like and others which will go. Not the quickest track to come together, but I think it’ll get there in the end. May work on something else for a while and come back to this.
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Update 4: 07/12/2009
Last night, Doyle suggested some brass stabs – an idea supported by Linda. They both got me thinking and I couldn’t wait to have a play. It takes the track in an entirely different direction from the idea I’d loosely formulated, but hey!
I’ve not got very far – just toying around with some ideas, but is this the kind of sound we were all thinking of?
(Needless to say, there’s very little chance the brass will stay this “straight” throughout the track. It’ll need to be treated, glitched and generally bent out of shape, but I may keep the odd 4 bars here and there quite conventional.)
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Update 3: 06/12/2009
I’ve been a bit blocked – and I think it’s this track in particular. Really happy with the drum part and some of the other bits. I’ll add lots of incidental percussion – little fills here and there – once it’s complete, but it’s not coming together quickly. Then again, what’s the rush?
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Update 2: 01/12/2009
Starting to develop some parts, but still no arrangement to speak of. Again, not mixed or anything yet so levels are probably all over the place.
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Update 1: 29/11/2009
Had a bit of a play with this today. Added some elements which I like and some I’m not so sure about. I’ll leave it for a couple of days and see what stays and what goes. Also need to start thinking about a lead part.
As usual, there’s no arrangement here, not even an introduction – so prepare yourself as you hit play! The drum loop I’ve created is also pretty raw. The bass drum triplets, whilst powerful, are clearly repeating too frequently. I’ll pull these in probably once every 8 or even 16 bars once the piece is further on.
Not sure at all about the funky wah wah guitar type synth sound. I suspect that will die. Only bit I’m really happy with at the moment is the repetitive bass line and the drums (once the BD triplet frequency has been reduced.
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First upload: 27/11/2009
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