There. I’ve said it. I’ve even written it down. And when I’ve finished this blog post, I’ll tweet about it to 400 people. There’s clearly only one reason for such behaviour. By telling the world, the pressure I place upon myself to deliver is increased and hopefully even more focus is brought to this ludicrous plan.

OK, by James Fahy’s standards, 48 tracks isn’t even vaguely prolific. It’d probably take ambienteer a couple of months but it will represent more than three times my total output this year. So how on earth do I expect to achieve this? Well, there is some method in my madness.

My aim is to produce four albums, each containing 12 tracks. These will be released under the following artist / project names and two of them are collaborative, so the work will be shared:

The first will be an instrumental album entitled Four and at least one element – however filtered, glitched and twisted – from each track will make its presence felt in its counterpart on each of the other three albums. Some of these tracks may share more than one sound or idea from the original. They may even extend to full-blown remixes, but because these musical projects are so different, I imagine the foundation track will bring very little to bear on its sibling.

I’ve talked in broad terms about the project with Shadi, my collaborator in Blue Omen, but I haven’t had the opportunity to discuss this with Fernando Fonseca, the other half of Half-BIT as he’s taking a well-earned rest and I really don’t want to disturb him. I’m just hoping that Fernando is as “up for this” as he has been with our other work together. If he isn’t, I’ll need to find another collaborator, because the idea is really starting to resonate with me!

I can’t begin to tell you how excited I am to be working on another piece with Shadi! :-] I was thrilled with her selection of Forough Farrokhzad’s poetry for The Wind Will Take Us and even more delighted with her outstanding vocal performance.

This is VERY early in its development. Shadi hasn’t even heard it as I upload this, but I’ll drop her a DM on Twitter in a moment and keep my fingers crossed. Right now (as usual) there’s no thought been given to arrangement or mixing. This is simply a preview of some of the instruments and the overall theme of the track. Brain dumping indeed.


Update: [25/11/2009]

Took on board Fernando’s comments below and added a filter and sequence to the opening bass line to give it a little more groove. Responding to Doyle by lifting the vocals and EQ-ing some of the instruments to give them more room. Also glitched up the percussion track and generally remixed (levels / EQ / some compression on one of the other bass lines).

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Update: [24/11/2009]

Now mixed with vocals (thank you Shadi!!!). MP3 below is not mastered. Any feedback very gratefully received. Would love to hear from you so post a comment below. Do it!

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Update: [27/09/2009 Arrangement 1]

I’ve added drums, worked on a couple of extra layers and put together the first arrangement. It’s a preliminary mix and in terms of levels / EQ, I’m going to leave it pretty much as is until the raw vocals are back. I want to hand over to Shadi now for her input.

Shadi: Keep in mind that the mix / arrangement is still very fluid and can be amended in way you like.

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Update: [18/09/2009]

Not a huge amount been modified since Wednesday’s update and since I’ve been full of a cold, I suspect the mix might be very weird. Feels like my head is stuffed with cotton wool!

I was inclined to agree with Fernando’s comments about the piano, so for now, I’ve deleted it. Sounded a bit Happy Mondays to me and changed the feel quite a lot.

Still just a collection of ideas and with the Great North Run on Sunday, I don’t think I’ll be moving this one on much until next week now. (Sorry Shadi!)

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Update: [16/09/2009]

I’ve lifted the tempo by 6bpm to help this one groove, but it still isn’t gelling for me (yet). I’ve got confidence in the track and I’m sure it’ll pull together, but right now, it’s just not happening. Being full of a cold and having had a couple of very intense days at work, guess I can’t really expect to be in the most creative of moods. Probably best to leave it for now.

As per previous posts, should point out that this is still not an arrangement. Just some of the possible themes for the final piece. Zero attention has been given to the mix (levels or EQ).

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Update: [13/09/2009]

Uploading a couple of additional parts, though must stress that this is NOT an arrangement at all. The piano is unlikely to kick this track off (but who knows!) and some of the synth sounds still need lots of work (EQ too). What’s more, this is a VERY rough mix. Levels are all over the place. Drums are toppy (but expect to hear another drum part too, this is mainly percussion for texture). Definitely needs a lot more sub/bottom end and bigger drums. I can hear the SBB sequencer drifting slightly out of time too. Loads to fix!

The feel of the piece has changed quite a lot over the weekend. It feels much brighter and lighter now. I’m not sure that’s entirely the direction I had planned, but I do kind of like it. Let’s see where it takes me next!

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First Upload: [11/09/2009]

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Music for FreedomThis contribution to the Artists 4 Freedom project (organised by @fjfonseca of PublicSpaces) has been a long and at times, emotional, journey.

It’s the first true collaboration I’ve done and my sense of responsibility to the track’s featured artist has been strong. There are still many aspects which I’d like to improve, but I’ve felt recently that constant “tweaking” was having a negative impact.

Background

Having put together the basic idea for the track, I sent a link through to Fernando (11 July) and he immediately suggested vocals. Later that day I placed the following ‘advert’ on Twitter:

Desperately seeking: FEMALE FARSI SINGER for modern take on traditional Persian piece. #MFF #iranelection

This was picked up and re-tweeted by a couple of people including @JCLemay. I received a reply within the hour (via JC) from Shadi Angelina and sent her a link to the work in progress. She very kindly agreed to get involved and from then on I’ve been revisiting and refining this track whilst working on other pieces such as Separate.

The lyrics – and hence the title – are from The Wind Will Take Us by Forough Farrokhzad.

The Wind Will Take Us

In my small night, ah
the wind has a date with the leaves of the trees
in my small night there is agony of destruction
listen
do you hear the darkness blowing?
I look upon this bliss as a stranger
I am addicted to my despair.

listen do you hear the darkness blowing?
something is passing in the night
the moon is restless and red
and over this rooftop
where crumbling is a constant fear
clouds, like a procession of mourners
seem to be waiting for the moment of rain.
a moment
and then nothing
night shudders beyond this window
and the earth winds to a halt
beyond this window
something unknown is watching you and me.

O green from head to foot
place your hands like a burning memory
in my loving hands
give your lips to the caresses
of my loving lips
like the warm perception of being
the wind will take us
the wind will take us.

Forough Farrokhzad
Translated by Ahmad Karimi Hakkak

Huge thanks to Shadi Angelina for her wonderful vocals and to @Pure_Tone for mastering.

The Wind Will Take Us by Kieron James and Shadi Angelina